Author Archives: JG Morlan

Seeing the world in a new way...

In 1984, Jeff Bridges and Karen Allen starred in a beautiful film called Starman.  Set in 1972 and having the requisite government chasers out to capture the alien visitor, it was also a commentary on being human.  In the film, the alien starman (Bridges) has taken on the likeness of Jenny Hayden’s (Allen) deceased husband.  As their time together progresses (for Jenny has become committed to helping him make a meeting with his home ship) we see in the starman the best of what humanity can be.  He comes to care for Jenny and, before he leaves, gifts her with the one thing she couldn’t have with her deceased husband… a child.  He asks only that Jenny tell the baby of his father, and where he was from.  Jenny promises.  The starman, near death, manages to meet up with his ship and escape the government’s clutches.  And we, the viewers, are left to believe Jenny goes on with her life, embracing her tiny secret that will make her a mother… end of story.  Until 1986, when Starman premiered on ABC as a television series.

Being a parent is a daunting task at times.  I’ve occasionally heard young couples state:  “we are waiting until we’re ready to have kids.”  Ha!  They will wait a very long time!!!  There is no book… no manual… no one that can truly prepare us for the role of being a parent.  You may read all the books out there about parenting skills, but even so, it is a “learn as you go” task.  I am a firm believer in that… perhaps that is why so many of us that were the eldest child in a family feel like we had it the hardest!  We were experiments!!!  By the time our siblings came along, our parents had the whole “parent” thing mastered.  Well, sort of… but imagine, if you will — what that role would feel like to someone who has never been a parent, yet has a teenage son (with all the angst that comes with that age) and no clue how a parent should behave or respond.  This is the fate awaiting our Starman upon his return to Earth.

“Why’d you leave?”
“I couldn’t live here anymore.”
“Why’d you come back?”
“You called me….”

Fourteen years have passed since the Starman’s previous visit to Earth.  This time, his visit has one purpose — to find his son and Jenny.  We learn that Jenny is missing and has been for some time.  Her son, Scott, has lived in the foster system, but is back at the orphanage because of the deaths of his most recent foster parents in a car accident; an accident that Scott walked away from.  Now Scott wants to find his mother, but all he has of her is the silver orb she left him with.  Unbeknownst to him, it is his strong emotions that bring the orb to “life” and calls the Starman back to Earth.

Paul Forrester (Robert Hays), a world-renowned prize-winning freelance photographer, is killed in a helicopter accident high in the mountains, just as the Starman arrives on Earth.  Needing a deceased body from which to take the DNA necessary to create a human form, the Starman takes on the identity of Paul and sets out on his search.  Upon finding his son, Scott (Christopher Daniel Barnes), Paul/Starman learns that his “family” has been separated for some time.

The orb brings them together

Initially, Scott does not believe Paul is his father… not until he sees Paul use a silver orb… and Paul doesn’t realize that Scott has some of his father’s alien abilities until he later witnesses Scott also using an orb, the one the Starman had left with Jenny so she could tell their child about his father.  An orb that can be a device for protection, healing, communication, and guidance.

Scott is not initially happy with this reunion; where was his “father” when he truly needed him while growing up?  But it doesn’t take him long to realize that Paul/Starman is unfamiliar with Earth’s teenage wiles, and he tricks Paul into helping him try to locate Jenny.  Unfortunately, like his first visit, this search is plagued by Agent George Fox (Michael Cavanaugh), the government official who believes that Paul and Scott are dangerous and wants to capture, examine, and, most likely, kill them.  But this series wasn’t really about the chase….

“ABC bought a show from us that we like, and they said, ‘We like it too, go try it’… We wanted to do small, optimistic human stories.  We wanted Starman’s innocence about the world to affect the folks with whom he comes in contact.”
–Executive producers Jim Hirsch and Jim Henderson, on the kind of series they wanted to create.

What was remarkable about Starman was that it was an hour-long drama suitable for family viewing.  It incorporated numerous “wholesome” values into its story elements.  These included, but certainly weren’t limited to, a terrific and warm relationship between a father and a son; problem-solving based on honest communication instead of argument; attitudes based on fairness and a lack of sexism, racism, or age discrimination; emotional drama instead of violence and car chases; and above all, a hopeful outlook on the future, humanity, and the planet as a whole.

The writing explored numerous social and environmental issues of the day, particularly literacy, endangered species, and the care of the indigent and disabled; topics still of relevancy today.  The humor in the show came not from crude insults and one-upsmanship, but from an affectionate look at the interrelationships of parents and teens.  The emphasis was on integrity, compassion, courtesy, responsibility, forgiveness, trust, friendship, and the courage to change one’s life for the better.  Tell me, where in today’s television programs will you find the same?

“One of the best examples of this in the show is a scene when Starman is walking along the beach with Scott, and turns to his son and asks, ‘How am  I doing — as a father?’  The boy is stunned (as was I!), and that pretty well sums up the kind of father Starman is.  Another scene has Scott turning to his dad and putting his arm around his dad’s shoulders, and saying, ‘How long do you think you would last without me to take care of you?’  I can recall no other single dad role model on TV that was as powerful.  Too bad all father/son relationships, or any relationship for that matter, couldn’t be the same.  Each needed the other, and each enriched the other in immeasurable ways.  And that’s what father-son relationships should be all about.”
–Fervent fan Chuck S. from the website, on the relationship of father and son.

From the moment Paul/Starman first meets Scott, it is obvious he hasn’t a clue how to be a father.  In fact, in many ways, Paul is a child himself.  He is learning about his new and different environment.  He is learning about life, in particular, human mores and behaviors.  Following his initial meeting with Scott, he comes upon a group of men, talking in a park about their teenagers.  Overhearing the conversation, Paul blithely joins the group, his attention rapt, absorbing all that is said.  At one point, he utters “I want to know about teenagers!” to which he’s asked “You got one?”  Paul replies swiftly to the affirmative, and is asked “You understand him?”  He replies simply “No”, to which he’s told “There you go… nobody understands them; they’re from another planet!”  And so the first of many lessons begins.  Later, in a conversation with reporter friend Liz Baines (Mimi Kuzyk), Paul admits “I want to help him, but don’t know how.”

Yet our alien should not feel so unqualified for the role of “dad”… many parents don’t always know how to help their children either!  I repeat — children do not come with a complete set of directions for the parents.  At the end of the first episode, Liz finally clues Paul in to the challenge he is facing.  “Takes time to raise a kid approximately 21 years, and you’ve already blown 14 of them,” she tells Paul as they watch Scott walk off to start the search for Jenny.  Paul replies, “I’m not from here… I don’t know how to be a father.”  Liz assures him that “Nobody does.  You just do your best and take your chances.”  Still unsure of his father, Scott confronts him on how long Starman will stick around this time, to which Paul responds with Liz’s wise words about how long it takes to raise a kid….

Many times, the role of “parent” was reversed for Paul and Scott, for here we had a 14 year-old boy teaching his alien father about life on Earth.  The issues of honesty and trust crops up often in Starman.  It is Scott who teaches Paul about honesty (especially when it regards others wanting something from you!)  In the episode Like Father, Like Son, Paul and Scott help a mother and her teen daughter, offering to provide them lodging for a night.  In his childlike innocence, Paul tells the mother that “You and I can take the big bed and the two kids can bunk together.”  Scott must rescue his erstwhile father from this major social error by lamely pointing out that his dad was “just kidding.”  Later, Scott and Paul are talking and Scott admits that he doesn’t feel he can “count on” Paul.  Unfamiliar with some of our language, Paul asks Scott to define what he means by “count on”, to which Scott tells him “To trust to do something asked of you to do.”  Paul feels certain they should trust one another, but Scott is still hesitant.  It takes a close encounter with a cougar for Scott to realize he truly is a part of the Starman, like it or not.  This particular episode really drove home the angst Scott was carrying around as the child of an absent father and a missing mom.  But a connection does start forming between the two, creating a moment that’s both special and ordinary at the same time:

Paul:  “Scott, you called me dad!”
Scott:  “Yeah, well, it was meant to get your attention… don’t fall apart.”

Ah… teenagers…

Ideally, every parent wants (or should want) the best for their child… be that an education, a place to call home, friends, family, security… and every child wants to stretch their wings and fly on their own.  And these universal themes were explored by the writers in subsequent episodes.  Scott and Paul/Starman, throughout the series short life, depicted a strong, respectful relationship.  It was a connection that explored not only what the father believed his son needed, but what Paul/Starman needed as well.  Their journey together on the search for Jenny created a bond nothing could break.  Did they ever find her?  Why should I tell?  In the process of trying to complete their family, they found each other….

“First, there’s the fact that our time slot was changed five times.  And we were up against hit shows every time:  Miami Vice, Falcon Crest, Dallas, Cosby, you name it.  Not to mention our time — 10:00 at night?  That was ridiculous.  Then we were pre-empted several times.  No one ever knew when the heck to watch us.  That’s what frustrated so many of these people… Starman was a really good show.  It said something we all believe in.  It became part of us.  Ratings and reviews don’t mean anything to me.  If people enjoy it, that’s important.”
–Christopher Daniel Barnes, Starlog Magazine, 1989

Few viewers even got the honest chance to find Starman in the first place, even though many of those that did became fervent fans.  Reviews were unkind (and unfair, based on a limited preview instead of actual episodes), and the idea of the show being “science fiction” [gasp!] discouraged many likely viewers from even trying it.  Typically for a misunderstood series, the promotion for it was inept at best, and the 22 episodes aired in six different time slots, facing off against major hit shows that had strong, established followings.  The ratings suffered, obviously, and in May 1987, Starman was canceled.

ROBERT HAYS (Starman/Paul Forrester) came on the television scene in the mid-1970s, playing guest roles on various programs.  He hit his stride in the industry though, with the movie Airplane.  Known as a prankster on the set of Starman, he once claimed that he and Paul Forrester/Starman, in one way, were alike…”He has a childlike innocence.  I’m childlike anyway, so I don’t have to worry about that…I just have to take my jaded side and make that innocent…”  Although an actor, director and producer, nowadays Hays can be found tinkering around his “…California home, raising his son Jake, surfing and taking care of my best girl, my dog.”

CHRISTOPHER DANIEL BARNES (Scott Hayden) has had a varied career over the years, from voice-over work as Peter Parker/Spiderman in the animated TV series and Prince Eric in Disney’s The Little Mermaid, to playing Greg Brady in the Brady Bunch movies.  Also known professionally as C.D. Barnes or C.B. Barnes, Christopher recently started a Doctoral program.

MICHAEL CAVANAUGH (Agent George Fox) is a versatile and accomplished character actor with innumerable series appearances to his credit, including:  The X-Files, Bones, The West Wing, and a regular role in the short-lived 1991 revival of Dark Shadows.  Also an accomplished vocalist, he has appeared on Broadway.  Michael continues to work in the industry and recently appeared in FlashForward as the Chairman of the SETI project, apparently still searching for aliens.

ERIN GRAY (Jenny Hayden) has been best known for two major television roles – Kate from Silver Spoons, and Colonel Wilma Deering from Buck Rogers in the 25th Century.  She has continued to appear in other series over the years, and was a recurring character on The Profiler.  Today, Erin and her husband work at producing Tai Chi and Chi Kung videos; Erin teaches Tai Chi as well.  For years she has been a spokesperson for the National Coalition Against Domestic Violence and serves as a board member for Haven House, the oldest battered women’s shelter in the U.S.

The series is currently not available on commercial DVD, but if you want to make your voices heard, you can visit the “Spotlight Starman International” fan site or log in to and vote for the show.  There are, of course, bootleg copies of the series available, if you wish to go that route,  or you can view all the episodes online at YouTube.

...looking through another's eyes.

Society likes to compartmentalize…to assign labels and make judgments about things.  Starman did nothing of the kind.  Our alien visitor was truly innocent and it is through his eyes that we saw the best of our world, along with its flaws, as he and Scott made their journey together.  As I’ve said before, being a parent is not an easy job…it’s an adventure.  A wild ride where the parents and children hang on together and experience the highs and lows that life brings.  There is no perfect plan for being a parent; it is all “by guess ’n’ by golly”.  All we can hope for is a solid, loving, open, honest relationship with our offspring.  Perhaps we all need to take a lesson from Starman

Vital Stats

22 aired episodes — none unaired
ABC Network
First aired episode:  September 19, 1986
Last aired episode:  May 2, 1987
Aired at Friday 8/7 Central?  No.  In fact, it’s hard to pinpoint a specific time it aired regularly, as it was bounced all over the place.

See you at the reruns!
JoAnn G. Morlan

(Thank you, JoAnn, for covering this one for me.  This obviously needed a parental touch, and you’re much more qualified than I could ever be in that regard.  Starman is a show well worthy of that perspective.  –Tim R.)

Mankind has always held a fascination with what goes bump in the night… in particular, those beings with fangs that drink the blood of others to survive.  Vampire legends have existed for centuries; many cultures have stories about fanged beings/demons/spirits that feed off the blood of the living.  But these creatures are often depicted as evil in nature.  Only in more recent times has the legend, in its various incarnations, taken on the guise of the tortured hero fighting against his “evil” nature in order to help the living.  And let’s not forget the human lover, forever pining for a way to be with her undead love!  Wait – that sounds remotely like the latest craze “Twilight”… but before there was Bella and her vampire love Edward Cullen, we were given Dracula and Mina… Detective Nick Knight and Dr. Natalie Lambert… Angel and Buffy… and Mick St. John and Beth Turner of Moonlight.

“It’s just a different world.  There are no demons, there are no other entities.  It’s a world where there are vampires, and they’re around, and they’re living among us.”
–Executive Producer Joel Silver, on why Moonlight is not a clone of Angel.

Debuting on CBS in the fall of 2007, many felt Moonlight was, at best, another version of the TV cult favorite, Angel.  Like its predecessor, Moonlight‘s hero fought against his baser vampire instincts and tried to live as a human while helping the living.  But this incarnation of the vampire legends has some major differences to it.  Mick (Alex O’Loughlin) doesn’t sleep in a coffin, but in a freezer, supposedly because vampires truly are “dead” (as opposed to “undead”) and to stem the decomposition of their bodies, must “sleep” in a frigid environment.  And drink human blood.  Mick chooses to get his supply of blood from a fellow vampire (who works at the morgue) who acts as his “supplier”.  No “fresh from the tap” blood, if he can avoid it!  And he can be up and about in the sunlight.  Well, for a limited amount of time, as discovered in episode 4, Fever.

Mick solves crimes as a Private Investigator.  Some have a human nemesis, but there are also those with a slightly supernatural twist, involving other vampires.  Yes, there are other vampires, less noble than our hero.  Meet Mick’s best friend, Josef (Jason Dohring).  400 years old, Josef revels in being a vampire, and often chides Mick for not accepting what he, Mick, is.  But Josef’s not all bad; he values their bond, and Mick can always turn to him for support.

Then there is Mick’s ex-wife, and his sire, Coraline (Shannyn Sossamon).  Oh my.  Not a nice lady at all, Coraline turned Mick into a vampire 60 years ago, on their wedding night.  So.  Not.  Nice.  Mick leaves her as the result.  Years later, in a desperate attempt to win Mick’s love back, Coraline kidnaps a female child, intending to turn her into a vampire as well, in order to create the “family” that Coraline believes Mick wants.  Mick rescues the child and sets fire to the house, supposedly destroying Coraline.  But in this show, the dead don’t always stay dead… and the past doesn’t always stay in the past….

Sophia Myles and Alex O'Loughlin of Moonlight

Fast forward about 20 years and meet beautiful news reporter, Beth Turner (Sophia Myles).  Beth, we learn, was the child Mick rescued oh so long ago.  But does she remember?  Involved with lawyer Josh Lindsey (Jordan Belfi), Beth’s life is on the fast track to perfection… career, marriage proposal… then she meets Mick.  Together they begin solving crimes.

Beth is a strong female role in the show, despite her petite, blond look.  An internet investigative reporter, Beth has an “in” with the local police via Lt. Carl Davis (Brian J. White), helping her to land her story ahead of others.  Although there are times Mick must come to her rescue, there are also times when she comes to his.  Case in point is episode 4, Fever, where Beth moves beyond her innate fears of his vampirism to let him drink her blood in order to heal, and then there is her identifying… well… better let you watch the episodes to see what else.  Despite her growing feelings for Mick, Beth struggles to come to terms with how to let Josh down gently, but never gains the opportunity and instead must deal with the sudden and tragic loss of his life.  This drives a wedge between Mick and Beth, for Mick could have “helped” Josh (in Beth’s eyes anyway).  Ah conflict – it drives the story and thickens the plot!  Where shall these star-crossed lovers go from here?

“It gets pretty dark.  It gets intelligently dark.  I mean, when they touch on the mythology or they explore the mythology, they really get in there and talk about why people do things… I think that’s what’s interesting about the show.  It’s incredibly well-written and it’s effortlessly funny.  And that’s the way it’s shot – it’s heavily stylized; it’s like watching a film.  I think it can find an easy fan base because there’s something for everybody.  Whether you’re just purely into the mythology or purely following an actor that you like on the show, once you’ve arrived there, I think you’re going to be interested.”
–Brian J. White (Lt. Carl Davis)

Although critics decried it at first, the pilot finished first among total viewers the 18-49 age brackets, and quickly found a strong fan base.  Critics continued to give it negative reviews, citing poor writing and acting as primary reasons.  But the fans held on.  In 2008, Moonlight won the People’s Choice Award for Favorite New Television Drama.  With this award under its belt, creators Trevor Munson and Ron Koslow instructed their writers to begin writing episodes for a second season.  On December 4, 2007, Les Moonves, then President of CBS, stated that Moonlight was likely to be given a second season.  Sadly, despite the high hopes of everyone involved, Moonlight became another victim of the 2007-2008 Writer’s Guild of America strike, going on hiatus indefinitely with only 12 episodes of the original 13 episode order produced.

Fearful of the show’s fate, fans of the series coordinated with the American Red Cross to hold a series of charity blood drives around the country and Alex O’Loughlin stepped forward as spokesperson for the organization.  Fan-based crusades have, in the past, managed to save a show from cancellation – witness classic Star Trek, Jericho, Veronica Mars, to name a few.  Four new episodes were shown after the strike ended, but on May 13, 2008, CBS officially announced it was canceling the show and the final episode aired on May 16, 2008.

Cops and Vampires

Moonlight was considered an atypical show for CBS, despite its supernatural lead-in Ghost Whisperer (and DON’T get me started on the recent news regarding THAT show’s fate!).  But I have to wonder… if they don’t want the fans to care about the characters (or those that portray them), then why pick who they do?  Come on – we all know this show was made to grab two specific audiences.  They came after the men by giving it the premise of a cop show… and leggy, svelte women and cute, petite Sophia Myles.  And trust me, I don’t begrudge them that move!  How else would I get hubby to watch the show, hmmm?  And they came after the women with its supernatural romance theme… and hunky Alex O’Loughlin… in sexy, open shirts and covered in water… Wait… did I really write that?  Sure, why not admit it.  I drooled too.  But there was also some good writing involved.  After all, Mick didn’t fly (although he did leap pretty far at times) nor did he turn into a bat.  Ok, maybe not every episode was superlative but – come on, even the longest running series has had a few clunkers!

Oh, and did I mention that Mick gets his wish eventually… he gets to be human again?  Okay, okay, only briefly, and he does get a new sire in Josef (or is that a step-sire?), all thanks to Coraline.  She came back for him… she became Human… for him.  Remember, I said the dead don’t always stay dead….

ALEX O’LOUGHLIN (Mick St. John) hails from Sydney, Australia, where he started his film career in 2004.  In early 2007, he had a recurring role on The Shield, before being picked for the lead in Moonlight.  Following the ending of the series, he remained under contract with the production company for a year.  He has guested on the acclaimed series Criminal Minds, and was in the short-lived 2009 series Three Rivers (with new episodes yet to air this summer).  You can see him in the 2010 film The Back-Up Plan, starring opposite Jennifer Lopez, and starting this fall in the updated CBS version of Hawaii Five-O, as Detective Steve McGarret (“Book ’em, Danno”).  And yes, he was considered for the role of James Bond, before it was given to Daniel Craig.

SOPHIA MYLES (Beth Turner) is from England where she was bitten by the acting bug at age 16.  She starred in several BBC series before 1999, when she headed to Cambridge to study Philosophy.  Shortly thereafter, she dropped out of college to pursue acting full time.  Sophia was cast as Johnny Depp’s wife in the 2001 film From Hell, and had a supporting role in Underworld, before co-starring as Lady Penelope in the live-action version of Thunderbirds.  In 2006, Sophia won the lead role, Isolde, in Tristan & Isolde.  More recently she could be seen in the little-known movie Outlander.  And let’s not forget her role as Madame de Pompadour on the BBC’s Doctor Who.

JASON DOHRING (Josef Kostan) spent three years on the TV series Veronica Mars before playing the 400 year old vampire on Moonlight.  Jason was oft known to note that his characters on the two shows were fairly similar… at times.  the oldest of 5 children, Jason has the unique status of being the only single birth child – he has 4 younger siblings, a set of twin brothers and a set of twin sisters.  All five have appeared in television off and on since the early 1990’s.  Jason has recently been seen guesting on CSI, and has a movie coming out in 2010.

SHANNYN SOSSAMON (Coraline) was born in Hawaii but raised in Reno, Nevada.  Immediately after high school, she headed for LA to become a dancer.  Acting was not even a consideration at the time.  Besides finding work as a dancer, Shannyn worked as a DJ with her then boyfriend, and did commercials.  While she was shooting a commercial she found the backing/support to go after the leading female role in A Knight’s Tale, opposite Heath Ledger.  She can currently be seen in the new series How to Make It in America, as Gingy Wu.

TREVOR MUNSON (co-creator/producer) originally conceived of the character, Mick Angel, a “hard-boiled, blood-sucking Phillip Marlowe” and spent two years writing a novel about him.  The unpublished work “Angel of Vengeance” was then adapted into a film script, which was shown to CBS Programming head Nina Tassler.  Nina paired Munson with Ron Koslow and Moonlight was created.  Munson has a MySpace page where you can read chapters from his novel.

RON KOSLOW (co-creator/producer) has, what I consider to be, two excellent references to his vitae – he produced (and wrote for) both the series Roar in 1997 and Beauty and the Beast from 1987 – 1990.  Beauty and the Beast brought him three Emmy nominations, but no wins.  Moonlight was the last series he actively worked on.

The cast of Moonlight

“Well, everybody knows I love vampires, witches, werewolves, warlocks–I love them all… the response to Moonlight was actually more actor-centric.  So I think it certainly measures our decision on the show, but–right now, like I said, I don’t question the choice we made.  As I said, I’m not getting as much mail, and most of those comments were actor-centric.”
–CBS Programming head Nina Tassler

Nina Tassler was cited as saying that Moonlight would never go over to the CW network, despite the fact that CBS and CW actually are owned by the same company, and Moonlight‘s fan base has always been more typically in line with the usual CW demographic instead of CBS.  Gee, Nina – one should never say never!  As was written earlier, the dead don’t always stay dead, because you can watch reruns of Moonlight starting June 3, 2010 on the CW!!  And if that isn’t enough for you, you might want to purchase the DVD, which contains all 16 episodes on a 4-disc set.  Released on January 2009, it received the 2009 Saturn Award for Best Television Series Release on DVD.

Vital Stats:

16 aired episodes
CBS network
First aired episode:  September 28, 2007
Last aired episode:  May 16, 2008
Actually aired at Friday 8/7 Central?  Close!  It aired Fridays 9/8 Central with a lead-in from Ghost Whisperer.

Catch you at the reruns!

–JoAnn M.

Thanks for the article, JoAnn.  Comments and suggestions, as always, are appreciated.  Back to me next week.

–Tim R.

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